Idladla (meaning ‘grain siloʼ) is a study and exploration of scope, scale and texture. Gently rounded terracotta forms, marked with precise incisions, hand imprints and motifs, follow a strong architectural impulse inspired by the parallels Andile noticed in structures as distant from each other as upstate New York and Mali. An evolution of the angular vessels of his previous show, the works capture Dyalvaneʼs visceral vernacular and continual experimentation. Each piece pivots around his central values of cultural preservation and gratitude. Idladla is a ‘reminder of what weʼve lost but also of what can still be saved,ʼ he says.